The child made no objection, but Felicite sighed and thought Madame was heartless. Then, she thought that perhaps her mistress was right, as these things were beyond her sphere. Finally, one day, an old fiacre stopped in front of the door and a nun stepped out. Felicite put Virginia’s luggage on top of the carriage, gave the coachman some instructions, and smuggled six jars of jam, a dozen pears and a bunch of violets under the seat. For instance, in the afternoon of the Fourth of July all the lepers gathered at the race-track for the sports. I had wandered away from the Superintendent and the physicians in order to get a snapshot of the finish of one of the races. It was an interesting race, and partisanship ran high. Three horses were entered, one ridden by a Chinese, one by an Hawaiian, and one by a Portuguese boy. All three riders were lepers; so were the judges and the crowd. The race was twice around the track. The Chinese and the Hawaiian got away together and rode neck and neck, the Portuguese boy toiling along two hundred feet behind. Around they went in the same positions. Halfway around on the second and final lap the Chinese pulled away and got one length ahead of the Hawaiian. At the same time the Portuguese boy was beginning to crawl up. But it looked hopeless. The crowd went wild. All the lepers were passionate lovers of horseflesh. The Portuguese boy crawled nearer and nearer. I went wild, too. They were on the home stretch. The Portuguese boy passed the Hawaiian. There was a thunder of hoofs, a rush of the three horses bunched together, the jockeys plying their whips, and every last onlooker bursting his throat, or hers, with shouts and yells. Nearer, nearer, inch by inch, the Portuguese boy crept up, and passed, yes, passed, winning by a head from the Chinese. I came to myself in a group of lepers. They were yelling, tossing their hats, and dancing around like fiends. So was I. When I came to I was waving my hat and murmuring ecstatically: “By golly, the boy wins! The boy wins!”!

A few weeks later I was with some friends in their bungalow in the Piedmont hills overlooking San Francisco Bay. “We’ve got him, we’ve got him,” they barked. “We caught him up a tree; but he’s all right now, he’ll feed from the hand. Come on and see him.” So I accompanied them up a dizzy hill, and in a rickety shack in the midst of a eucalyptus grove found my sunburned prophet of the city pavements. But yaws lose their novelty after a time. At the present moment of writing I have five yaws on my hands and three more on my shin. Charmian has one on each side of her right instep. Tehei is frantic with his. Martin’s latest shin-cultures have eclipsed his earlier ones. And Nakata has several score casually eating away at his tissue. But the history of the Snark in the Solomons has been the history of every ship since the early discoverers. From the “Sailing Directions” I quote the following:

But we are not done with that engine yet. The engine is powerful. We are two small men and a small woman. It will break our hearts and our backs to hoist anchor by hand. Let the engine do it. And then comes the problem of how to convey power for’ard from the engine to the winch. And by the time all this is settled, we redistribute the allotments of space to the engine-room, galley, bath-room, state-rooms, and cabin, and begin all over again. And when we have shifted the engine, I send off a telegram of gibberish to its makers at New York, something like this: Toggle-joint abandoned change thrust-bearing accordingly distance from forward side of flywheel to face of stern post sixteen feet six inches. Captain Jansen explained. On the platform Tehei and Bihaura danced, accompanied by songs and choruses or by rhythmic hand-clappings. At other times a musical knocking of the paddles against the sides of the canoes marked the accent. A young girl dropped her paddle, leaped to the platform, and danced a hula, in the midst of which, still dancing, she swayed and bent, and imprinted on our cheeks the kiss of welcome. Some of the songs, or himines, were religious, and they were especially beautiful, the deep basses of the men mingling with the altos and thin sopranos of the women and forming a combination of sound that irresistibly reminded one of an organ. In fact, “kanaka organ” is the scoffer’s description of the himine. On the other hand, some of the chants or ballads were very barbaric, having come down from pre-Christian times.